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Home / New Series no. 34/2020 / OANA ANDREIA SÂMBRIAN, Teatrul ca instrument al istoriei: noi informații despre imaginea principelui Gabriel Bethlen în Spania (Theater as an instrument of history: new information about the image of prince Gabriel Bethlen in Spain) .

OANA ANDREIA SÂMBRIAN, Teatrul ca instrument al istoriei: noi informații despre imaginea principelui Gabriel Bethlen în Spania (Theater as an instrument of history: new information about the image of prince Gabriel Bethlen in Spain) .

OANA ANDREIA SÂMBRIAN
Cercetător științific III dr., Institutul de Cercetări Socio-Umane „C.S. Nicolăescu-Plopșor” al Academiei Române;
E-mail: oana.sambrian@gmail.com

Abstract
Our article focuses on the most recent interpretations that have been given in the last years to the play Cómo ha de ser el privado, which after a period of bad critics regarding its literary value seems to have been reassessed. Starting with the re-reading of the play, our text aims at unveiling the information that Quevedo might have hidden at first sight from the eyes of a potentially superficial reader.

Keywords
Quevedo, Cómo ha de ser el privado, reinterpretation, Gabriel Bethlen

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SORIN GEACU, Raul Călinescu – fondatorul Biogeografiei româneşti, Editura Curtea Veche, Bucureşti, 2019, 333 p. (Veselina Urucu)

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